December 2006 Archives

Communicating Design: A book every user experience professional needs

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comdesign.jpgAt long last, just in time for the holidays, I received a review copy of Dan M. Brown’s Communicating Design: Developing Web Site Documentation for Design and Planning and the book has more than lived up to my high expectations of it. I tore open the envelope and nearly devoured the book in one sitting. If you design or develop websites, if you do information architecture, interaction design, or content strategy, if you care about making online and digital experiences more engaging and easier to use, then this book is for you.

This is not a theoretical book. It is incredibly hands-on, walking the you through some of the most useful user-experience design “deliverables” you’ll need to create for nearly every project you work on. Brown discusses three broad categories of deliverables: user needs documents, strategy documents, and design documents. In this scheme user needs docs include personas, usability test plans, and usability reports; strategy docs include competitive analyses, concept models, and content inventories; and design documents include sitemaps, flow charts, wireframes, and screen designs.

For each deliverable, Brown introduces them with a layer metaphor, first talking about the most impotant elements in each doc, then looking at how to enhance the document, and finally addressing how to fine-tune each document for the project at hand. This layered approach helps the reader see what is essential about each type of document and how to fit the work to the scope of the project.

Brown also recognizes that these deliverables do not operate in a vacuum but rather need to complement and support each other and for each one he explains how they can best work together.

The book includes many real-world examples gathered from Brown’s own work as well as solicited from his vast and deep network of IA’s and other UX professionals. (I submitted a few sitemaps and content inventories to Brown when he was finishing up the book but none made the final cut.)

I probably learned the most from his discussion of concept models, because I have the least amount of experience preparing these types of documents and I’ve always found them to be somewhat intimidating. He explains how to build them up from granular bits and also helps clarify a number of different approaches to connecting the nodes in such documents. He also includes as an illustration a version of Bryce Glass’s after-the-fact Flickr user model, an instant classic of the form.

When talking about wireframes and sitemaps Brown tackles some of the thorniest issues, such as whether and how much to show layout and design elements in wireframes and how best to communicate site flows in an age of increasingly dynamic, application-like websites often built on user-contributed content.

Brown also conveys the complexity and challenges inherent in developing a good content inventory better than I’ve ever seen it discussed before anywhere. He doesn’t gloss over the aspect of drudgery involved in this type of work, and he makes it clear that there is no single cookie-cutter template that is appopriate for every site (nor any useful tool out there to help automate the process), but he equips the reader with the right questions to ask and the right tradeoffs to consider in assembling what is in some ways the most crucial document an IA or content strategist will deliver for any large complex site.

Just to prove I’m not gushing just because I like Brown personally and admire his tremendous contributions to the field, I will say that the weakest chapter is the last one, in which he addresses screen designs (what our visual design colleages typically call “comps”). It may be that because comps are not typically created and delivered by information architects that they perhaps don’t belong in this book. Although the title of the book speaks only of design in general, there are entire realms of visual design that are out of scope here and it may have been better to leave comps out as well. The comp examples are reasonable and inoffensive but uninspiring. The best part of this chapter covers context surrounding these deliverables.

In fact, it is another strength of the book that for each deliverable, Brown describes how best to present the documents: How to run a meeting, how to manage expectations, and - as the book’s title implies - how to communicate the value and meaning of the design documents to your clients. This advice alone justifies the inclusion of this book in any user experience professional’s library. I expect I will continue to refer to this book regularly as long as I’m involved in the planning and design of websites and web-enabled applications.


From the pages of the medical journal 'Duh!'

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According a study commissioned by a hosting company, websites with poor usability cause stress for users: EETimes.com - Are you suffering from ‘Mouse Rage Syndrome? (via the ixda list).


IA for dashboards and portals

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Quick hit ‘n’ run linking: Joe Lamantia’s The Challenge of Dashboards and Portals at Boxes and Arrows.


What Is User Experience Design?

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Kimmy Paluch at Paradyme Solutions has a good article up that helps clarify the meaning of User Experience Design in regard to those other buzzword disciplines such as interaction design, information architecture, usability, and so on.


Ever wondered where Google is heading?

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Check out this zoomable whiteboard image showing the Google Master Plan. I’m not really sure where the cattle mutilation fits in….


Farewell, Princess Winter Spring Summer Fall

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I didn’t know Leslie Harpold very well. We corresponded briefly in the early pre-blog days of the web when I was doing Enterzone and she was Smug (and later Hoopla). Smug was everything I wanted ezone to be: beautifully designed, cleverly written, artistic. Leslie was always involved in all the coolest leading-edge web creative projects and communities. People I eventually met later all knew her before I did. She was always kind and friendly to me in email and later when we met in person.

We had lunch once near Sixth Avenue west of Rockefeller Center. We compared notes on freelancing, doing content strategy consulting, the dotcom boom, why zines were hard to keep going, the blog explosion, mutual friends. She was sweet and sarcastic.

We both read at the Literary Kicks Summer Poetry Happening at the Bitter end in 1999. She read her story Princess Winter Spring Summer Fall. I think Levi may have the video of her reading up on his Litkicks site somewhere. I’ll ask him.

I found out Leslie had passed away from Levi today. I was standing in a Kinko’s waiting to fax something and checked my gmail on my phone. Levi was complaining that I have too many blogs (he’s write) and looking to see if I’d posted anything in remembrance of her. This is it.

I thought I saw Leslie once in SFO when I was flying to New York probably to visit family. I sent her an email message asking if that had been her. It was. She was moving out to San Francisco. I remember thinking she looked unhappy or pained at the time. I was sorry I hadn’t gone up to her. We kept agreeing to have lunch or coffee and we never did. She was going to come to one of Gwen’s Ladies (and Gentlemen) Who Lunch in Oakland but I think she had that new-to-SF thing I used to have about never crossing the Bay.

I haven’t kept up with Leslie well since then. I didn’t know she had moved to Michigan. I assumed she was out there writing, creating, making friends. I counted on her being around. It’s very sad to hear not only that she has died tragically young but also that she experienced a series of losses and setbacks in her time.

The explosion of memories and thoughts of her posted online since the news came out are a testament to Leslie’s spirit and the large number of people she touched through her heart and mind and soul.

Keep reading about her:

Prototyping tools

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Scott McDowell has written an article for Boxes and Arrows called Visio Replacement? You Be the Judge about tools for prototyping rich interaction designs. We recently adopted Axure here at Extractable and we’re very jazzed about the way it’s enabling us to do IA work and interaction design and tie together wireframes with sitemaps and process flows and then export them all as a clickable HTML prototype (even if the HTML is still spaghetti).

In this article Scott compares Axure with a number of other products, all of which he calls simulation tools (comparing them to aerospace simulations):

User experience professionals who leverage simulation technology are able to visualize projects much earlier within the development lifecycle, while producing requirements that are much clearer than those generated through traditional requirements gathering processes. In fact, two of these packages, iRise and Serena, were actually created to help business analysts visualize requirements when they didnÕt have access to user experience professionals for that part of a project! One key feature that static wireframes lack is the ability to interact with the interface; by using a simulation tool, this limitation is removed. Software interactivity and ease-of-use, in addition to the portability and reusability of the simulation, are key points to consider in choosing the right simulation software for your company. The next several years should be quite interesting as each of these products continues to improve, adding new features and offering tighter integration with third-party products.

Hey, look - it's another book on interaction design

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This one, Analog In, Digital Out: Brendan Dawes on Interaction Design is new from Peachpit:

In this unique book, Dawes invites readers inside a series of his personal projects to get a view of his process—his creative seeing, making, and playing. He encourages designers to look beyond the normal tools of their trade to find inspiration in the most unlikely of places: tubs of childrenÕs clay, anonymous notes, household plumbing fixtures, jazz music, snow globes, fast-food take-out bags, airport departure gates, and more. Brilliant, original, and always grounded in the needs of users, Dawes shares both the techniques he has created and the key lessons he has learned in design: why comfort is the enemy of creativity; how mistakes can be celebrated instead of feared, and how to strip design to its purest and most powerful forms.

Pictures from the Extractable holiday party

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As promised, here are some shots of last week’s merry-making, courtesy of Elton:

our founders

founders

party bus

party bus

tables five through eight in the house (boat)

one table another table still another table yes, another table shot

abovedecks for a view of the Golden Gate Bridge

viewing the Golden Gate bridge Enjoying the fresh air upper deck another group shot above decks okay, now we're cold

karaoke

Elton sings Ziggy Stardust Susan belts one out Proud Mary keep on boining doing my best Van on Brown-Eyed Girl

Lance Arthur is back and says web design is dead (film at 11)

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The legendary Lance Arthur, missing in action from the web scene for half a decade now (he was spending much of that time with some complicated email service scheme I don’t understand and more recently has been helping to launch Squarespace, the magazine/community CMS Christina Wodtke and company have productized via the revamped Box and Arrows ‘zine), is back and in his inimitably way he makes it clear that he’s not happy with the current state of web design:

Ugly may be too strong a word, actually. MySpace is ugly. Butt ugly. Bufugly. Google is simple. YouTube is somewhere in-between. And you may want to point at them — Google in particular — and argue that it is designed, and designed perfectly. Otherwise it wouldn’t be the success that it is, and I wouldn’t necessarily argue the point, other than to say that if I were a competitor, I wouldn’t do it the same way because if you’re trying to differentiate yourself from someone else, you don’t do it by looking exactly like them. There are definite differences between the sites on the attainment of their goal, but they all have the exact same goal in mind and it is the same goal as any other public web site, and that’s to get and keep the attention of as many people as possible. Perhaps death is too strong a word, maybe it’s merely in a coma. Maybe the pastelization and rounded-corner floaty bits signals a tidal change that there’s no recovering from, maybe that look that’s becoming so damned prevalent everyone one looks is merely how the web is going to loo because people like it and it lends a sameness to everything that accompanies a kind of comfort factor that everyone, seemingly, has been wanting all along but never managed to find.

Berkeley J-School new media lecture series

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I might wan to attend some of this year’s UC Berkeley Graduate School of Journalism Winter New Media Lecture Series:

Sunday, December 10, 2006 - Wednesday, December 13, 2006 North Gate Hall Library, Hearst at Euclid Avenue, Berkeley Featured speakers are Howard Rheingold, “Smart Mobs” author; Travis Fox, Washington Post; Robert Hood, msnbc.com; Al Bonner, Lawrence.com; Seth Gittner, Roanoke Times; Seth Familian, UC Berkeley Haas School of Business; Joe Howry, Bruce McLean, Colleen Casem and Tom Kiska, Ventura County Star. This event is free and open to the public, and no RSVP is needed.

(Directions to the Journalism School)


Catching up with NAN

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Hey, I’m only a month late on congratulating Jay Rosen on the launch of NewAssignment.Net (“an experiment in open-source reporting”). My excuse is I was finishing a novel and working full time, but what about the blogs, Christian? And who will think of the children?

Here’s some tidbits from Jay’s update of the time, which have no doubt been superseded by new news that I will be sure to report sometime in mid-2007:

The launch package includes…

  • an interview by Amanda Michel with Regina Lynnn, sex device columnist for wired.com who uses a forum she runs to do one type of smart mob reporting
  • my announcement of the launch (yesterday) of the Polling Place Photo Project, which will attempt to collect digital photos from polling places across the USA
  • a feature by David Cohn on what Netscape.com is doing, which Jason Calacanis calls “meta-journalism”
  • my interview with Asa Dotzler
  • Steve Fox, formerly of washingtonpost.com, explains why he quit there and agreed to work with us; and more.

Our plans for the test site are…

  • daily content, M-F that tracks new & noteworthy developments in open source journalism and networked, pro-am reporting, plus any related Web. 2.0 stuff;
  • interviews with key people (practitioners like Asa Dotzler of Mozilla and Regina Lynn, observers like James Surowiecki of The Wisdom of Crowds)
  • lesson-learning from prior projects that definitely bear on NAN
  • we will introduce elements of NewAssignment.Net’s operating style, preview and critique some possible projects for 2007, and begin to recruit participants and contributors - i.e., build the network during Nov., Dec. and January 07.

One thing you will notice is a tab section for NewAssignment Lab. That will be the section of the site where we invent stuff, run experiments and trials, try to break ground. Matthew Burton’s proposals on reading the laws open source style will go there. Reports on the Poling Place Project will go there. Anything have to do with invention.

Yahoo redesign driven by data

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Mark noticed this Businessweek article on how Yahoo! mined their user-click data to inform the redesign of their home page (How Yahoo! Gave Itself A Face-Lift):

To avoid design by committee, Yahoo deferred almost every decision to an impartial judge: data generated by users’ clicks. “We have this culture of data,” Bhat explains. “It is the biggest enforcer of honesty.” If sales wanted an ad smack dab in the front page’s prime real estate, the company would whip up a page to those specifications, serve it to actual users, and record their clicks. If traffic increased, great. If not, it was back to the drawing board. The refreshed home page went live in September. Now, with a multimillion-dollar ad campaign to promote the redesign under way, the company is keen to see whether it has truly created a page based on what users like rather than what Yahoo wants. … Yahoo made a commitment to harnessing its trove of user clicks in 2004 when it acquired DMX Group, a data mining consultancy founded by former Microsoft Corp. (MSFT ) researchers. Now called Strategic Data Solutions (SDS), the department has a daunting task: combing through the 10 terabytes of data that Yahoo users generate daily by clicking links (the equivalent of all the text in the Library of Congress), plucking out the relevant bits, compressing it, and storing it. So far, Yahoo has enough user data to fill more than 1,000 Libraries of Congress. Of course, all that information would be useless without a way to make sense of them. Before Yahoo bought DMX Group, a simple test of how users interact with a page required help from technologists and a month of preparation. Now nearly all employees have access to easy-to-use software tools that can run tests over a few hours or days. Along with providing the tools, the SDS department has worked to spread the gospel of data. “We say: Use data to make decisions. Don’t make decisions based on a fad or what your competitors are doing,’” says Bassel Ojjeh, vice-president for SDS.

To be clear, Yahoo! didn’t rely entirely on data alone to make all of their crucial design decisions:

What Yahoo learned often belied initial impressions. Throughout the redesign, the company used a blend of focus groups, one-on-one interviews, test pages, and data mining. “What people say they want isn’t always what they actually click on,” Bhat says. In focus groups, users consistently said they wanted serious world news. “I don’t want Britney Spears anywhere on my page,” Bhat recalls one user saying. “What if my boss came by and saw?” But when Bhat’s team studied users’ clicks, world news got little attention, while Britney Spears stories ranked among the most heavily trafficked. The mixed messages led to important insights. In the end, Yahoo kept world news prominent on the front page because users feel secure knowing that it’s easily accessible, even if they don’t often click it. Conspicuous placement also went to entertainment, which draws heavy traffic from people seeking a diversion at work. By contrast, seemingly work-related content such as finance gets ample use in the evening when people pay bills and manage personal portfolios. Another gem unearthed through data mining: Small changes can make a big difference. The redesign team was excited about a new feature called Personal Assistant, which lets users hover their pointers over icons to see preview boxes of content such as e-mail. “We knew this was going to be the wow’ element of the page,” Bhat says. But the data showed that users were less than wowed. Turns out the preview boxes opened too quickly, an unusual peeve in this caffeinated, wired world. So the team began fiddling with the speed at which the preview boxes appeared and introduced a slight delay. Bingo. Although Yahoo’s front-page redesign is finished, the testing is not. “There’s always some test running,” Bhat says. “It’s part of our DNA.” Now if only Yahoo could collect as much data about its advertisers’ spending habits.

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